Choosing the right mirrorless camera for filmmaking is crucial. You want to consider some things in your mind like their video quality, price, and many more features.
Mirrorless cameras are advancing more and more in recent years and it is more likely good than the DSLRs. While there are still lots of DSLR options on the market, the industry has now completely embraced the rise of the mirrorless digital camera for filmmakers and videographers alike.
Filmmakers need a camera with a good 4k video recording, in a mirrorless camera, there are many more features to adjust the various lighting settings and all sorts of different photo shooting scenarios to shoot a good film.
Unlike DSLRs which only give 4K in their expensive models, you can get many excellent options for 4K mirrorless cameras at a very affordable price. Also, they give more video options and great features that are exclusive to the format.
There are many options available in the market for the mirrorless camera for filmmakers, but we find the 6 best suitable mirrorless cameras for filmmakers with lots of good features and mostly they are fair in price.
The world's awareness appears focused on full frame cameras right now, but the X-T4 is a much more affordable proposition while also boasting very improved 4K video abilities. These also incorporate the capacity to shoot 4K full HD video at up to 60p, for a smooth 2x slow motion effect.
Not only that, but it can additionally capture the slightly wider Cinema 4K format at identical speeds. Most 4K cameras capture 8-bit video inside memory cards, but the X-T4 can capture higher-quality 10-bit video internally and, if you combine an external recorder, it can save the video at a higher 4:2:2 color sampling quality.
The X-T4 now has in-body image stabilization. Fujifilm first used this on its bigger and heavier X-H1 model, but the IBIS unit in the X-T4 is much smaller, lighter, and more efficient, also Fujifilm claims up to 6.5 stops of shake compensation even with unstabilized Fujinon prime lenses.
There’s a new NP-W235 battery that allows up to 500 shots on a charge in normal mode and 600 in ‘economy’ mode. It’s not quite up to DSLR standards, but it’s a big improvement over the 390-shot battery life of the X-T3. The battery is even better than the X-T3 with an increasing little bit of its weight.
The image quality from the X-T4 is everything we've come to expect from Fujifilm – and we have seen the results from this sensor before, in the X-T3, X-Pro3, and X-T30. But we really find great image quality results in X-T4.
The Fujifilm X-T4 is an awesome affordable camera for filmmaking. They have great features for capturing high-quality images by combining a full HD video in 4k up to 60fps. Really, it is a worthy camera at an affordable price.
The Fujifilm X-T3 is a surprisingly nice and great mirrorless camera, and you can not overcome several features of what Fujifilm has done with their image quality. This model boasts the Eterna photo set, which provides you absolutely nice skin tones for cinematic filmmaking.
The X-T3 contributes to a super slow-motion mode. It can record using the effect at 1080p and up to 120 fps. This in connection with the cropped frame sensor, made it irresistible no to recommend the X-T3.
Moreover, the X-T3 can record video at 4K up to 60fps. An extra feature that we wish all cameras had is the built-in image stabilization. It helps stabilize the footage when doing the handheld shooting.
The ISO level is great, the X-T3 produced very clean, detailed images up to ISO 800, and we only really observed objectionable noise levels at ISO 12,800 and higher.
You get a great sense of the toughness of the camera when you hold it in your hands – the camera seems similar to a high-end camera, with its firm construction, aluminum knobs, and weather-sealed buttons.
In names of displays, Fujifilm is still using the same 3.2" 1m dot basic display you see on most of their models, but on the X-T3 it can tilt up/down, also by unlocking it from the frame that holds it, it can also tilt to the side, as well.
The battery is still the venerable NP-W126S, which the CIPA rating says should last for 390 shots. That's a little more than you normally see on the high-end cameras and a testament to the truth that Fujifilm has some power-conservation features in the camera to try to keep you shooting.
Overall, the Fujifilm X-T3 is a great camera. It mixes an impressive sensor, amazing AF, 4K recording in enhancement to HD slow motion and image stabilization. This all merges to make a good package any other company can hardly claim to give.
The Sony A7r iii is a really great camera, their amazing image, and video shooting features are really amazing and if you are both a photographer and cinematographer you should consider this over the A7 iii.
The Sony a7R iii is the most innovative hybrid video/still camera, and that is sort of how you have to look at it. It takes absolutely fantastic video and updates on many of the features from the previous models, but the a7R iii is more created for those who want to get high resolution photography, time lapse capability, and some excellent video as a cherry on top.
In terms of light sensitivity, there are some variations: the A7 III has a native range of ISO 100-51,200, with extended levels low as 50 and as high as 204,800. The A7R III goes up to 32,000 (native) and 102,400 (extended), making the A7 the better low-light performer mostly.
The autofocus system has been produced to meet this camera's continuous shooting performance, with a 399-point phase-detection array. Sony announces this system is up to twice as fast in low light, twice as precise for continuous focus tracking, and reliable down to -3EV.
Overall, though, the A7R III's performance is very impressive. It allows superb resolution, magnificent dynamic range, and overall image quality and it's even notably good at high ISOs. AND it can shoot at 10 frames per second with a solid buffer capacity, AND it shoots 4K video and 1080 footage at up to 120fps.
Sony A7R iii is a dynamically amazing camera for filmmakers. They have incredible 4k and 1080p video that goes up to 120fps. The image quality is amazing and can be captured in HD along with great autofocus. Overall, a great camera at a reasonable price.
The Canon EOS R is the new nice mirrorless option from an organization that lost tons of business to the Sony mirrorless and even Panasonic cameras, and the organization is hoping to steal some back with this new full-frame mirrorless.
The EOS R is based around the familiar 30.3-megapixel full-frame CMOS sensor which it shares with the Canon EOS 5D Mark IV DSLR. The sensor is combined with Canon’s awesome Dual Pixel CMOS AF system, which has a whopping 5655 selectable AF points covering 88% frame horizontally and 100% vertically.
The camera also contains a 5 fps burst AF continuous shooting, a 3.69 Million dot electronic viewfinder with 0.76x magnification alongside a fully-articulated 3.15-inches touchscreen, can hold only one SD card slot.
On the plus side, though, the EOS R's build quality is incredible. Over, the grip feels excellent, and the whole camera's fit and finish are top-notch. The camera feels remarkably solid and very durable, and the weather-sealed production did its job during our testing.
The 30.3MP full-frame sensor captures sharp, detail-rich pictures with charming colors. Canon's color-rendering is very excellent; it's a feature of Canon cameras that earns praise model after model.
Video, too, is an area where the Canon EOS R does quite well. Quality-wise, the EOS R gives a very good 4K UHD video, 4K video has very good detail as well as very pleasant, natural colors.
The main downside to 4K in the EOS R is the lack of 60p; 4K here only goes up to 30fps and 1080p goes up to 60fps. There's still no 4Kp60 in a full-frame Canon camera unless you go up to the 1D X Mark II.
The Canon EOS R is a great camera for viewing many features. They have great image quality and video quality but the downside is 4k goes up to 30fps. Overall, this is a good camera for filmmaking at a very reasonable price.
As a stills camera, the Canon EOS R5 is really Canon's finest product ever. It’s the excellent amalgamation of the EOS R’s form, the EOS 5D’s function, and the professional-grade autofocus of the EOS-1D X.
EOS R5 cameras have the capability to capture the action of a variety of fast-moving subjects with majestic accuracy and speed. When utilizing the mechanical shutter, EOS R5 can shoot up to 12 fps and up to 20 fps when utilizing the totally silent shutter.
Since the 8K DCI video has a resolution of 8,192 x 4,320, the camera has a Frame Grab function that permits you to take very high-resolution 35.4MP stills from your footage – which is 5.1MP greater resolution than the other model Canon EOS R.
These Canon model cameras are the first to be outfitted with Canon's high-level Dual Pixel CMOS AF II which appropriates up to nearly 100 percent coverage of the AF area and EOS iTR AF X incorporating AF tracking algorithms.
The Canon EOS R5's autofocus deserves a really special mention. Its eye-detection is amazingly accurate and sticky, while its subject-detection and tracking are correspondingly very impressive.
Unlike DSLR cameras, this mirrorless camera does not emphasize a body that is built from one piece of metal, which is evident by the edges that can be viewed around the EVF and across the top of the camera. Even though we are convinced that Canon made sure that the camera can face harsh environments.
The 45MP photographs are astounding, with a crisp detail that may or may not match the 5DS/R in terms of pure resolution, but taken side-by-side they certainly pass the eyeball test and look every bit as good.
The R5 incorporates Bluetooth and dual-band Wi-Fi. It connects to smartphones and tablets, so you can transfer shots or remotely control the camera; the Canon camera connects app, for Android and iOS, is required.
EOS R5 has a high-resolution stabilized body, super-fast burst rates, highly capable dual-pixel AF II, and some ridiculous video capabilities—exceeded all expectations. Thus will work great for filmmakers and those who record the video.
The Panasonic G9 is a really fast and powerful camera for both 4K video and fast-action sports and wildlife photography. It’s surprisingly substantial in your hands, which provides you a good grip, particularly with longer lenses, and its image quality is surprisingly good, despite the smaller MFT sensor.
The Panasonic G9 gives images with very good contrast and delightful color. Due to the lack of an optical low-pass filter, the G9 can deliver some aliasing artifacts.
But that also means it produces images with very good fine detail. At its base ISO of 200, the Panasonic G9 captures sharp, very detailed pictures which can endure up nicely against its APS-C competition.
If you’re not shooting moving subjects (or intentionally go for longer speeds), this really makes up for the size difference against full-frame cameras. In such situations, the G9 will work better than cameras with unstabilized full-frame sensors.
It gives you 4k footage at 30fps in 10 bit, or at 60fps in 8 bit. Both choices come with high bitrates and record internally to the memory cards.
The 10-bit 4k footage responds to grading wonderfully, particularly with the Log profiles. 4k at 60fps in 10 bit is also possible, but only with an external recorder through the HDMI port.
The Lumix G9 gets the same 225-area AF coverage as the GH5, which covers the bulk of the frame, though not quite to the edges. Focusing is sensitive down to light levels as low as -4EV, while the G9 also works Panasonic's DFD (Depth from Defocus) autofocus technology.
The touch-screen interface of Lumix G9 is very well executed. You can of course tap to reposition the AF area swiftly and easily either for stills or to pull-focus in the video.
The Panasonic G9 is an outstanding hybrid camera for a bunch of applications. It excels in action and casual photography, and video recording in good light. It’s one of the most comfortable and ergonomic mirrorless cameras for filmmaking.
We reviewed the 6 best mirrorless cameras for filmmaking. Not only these are the best cameras for filmmaking but many other cameras are available in the market containing their own features and characteristics.
But we conclude these mirrorless cameras according to viewing the necessities which the filmmakers need when they shoot their film. Moreover, when you buy one of the cameras, keep in mind that your lens has a good role. So get a good lens with the camera along the good screen to shoot your film better.